“The latter gives an emotional Lucia: her cries, vocalisations and vibratos are always subtle and without exuberance. At the end of the second act, a slight agitation is felt in the audience: “it is the aria of madness”, one hears whispering discreetly. Indeed, the highlight of the show has come! The soprano, in the grip of hallucinations, strings together ornaments without losing her finesse.”